Category Archives: Gay history

Gay Clubs in Calgary as far back as 1939!

Back at the University of Calgary archives this week, looking at old theses – the one’s that had to be manually typed with splotchy typewriters!  Gold was struck in finding Audrey Dwornik’s, Master of Social Work thesis titled: Self-help and Homsexuality (1970).

Audrey Dwornik's Thesis

The premise of her paper is that groups of deviants because of societal pressures, seek each other out for support, acceptance and a sense of freedom.  Despite the language, Dwornik was largely sympathetic to the plight of homosexuals at the time; she used “deviant” in an academic sense, as in “deviating from the norm.”

As part of her research she looked into the history of homosexual friendship groups in Calgary.  She found the history of gay clubs in Calgary ran back to at least 1939.  She writes, “It was in this year that a homosexual was arrested and he told the police about a homosexual club he belonged to.  The name of the club was the Pansy Club.  The members of this club rented an apartment where no one lived, but where they had their parties in private away from the fears of being arrested.  The club mainly had a social function, but it also acted as a means of self-protection for its members while participating in homosexual relationships.”

There were Pansy Clubs in many North American cities, a caberet-style phenomenon that sprouted in New York and spread.  Who knew it had made it all of the way to Calgary, whose population in 1939 was 85,726!

Check out this link to Pansy Clubs of the 1920s and 1930s, featuring the song, “Masculine Women, Feminine Men” (1926) Fox-Trot, played by the Savoy Havana Band.

Sidebar:  Dworkin made some funny observations about homosexual friendship groups.  For example, she explains, “The type of homosexual know as the ‘queen’ is only present in overt groups.  Their role is to provide a place where the group may gather and where its members may have their ‘affairs.’  ‘She’ also helps finance members in distress, acts as intermediary in making sexual contacts, partially controls the entrance of new members by warning those already members of persons who may try to take advantage of them, such as persons who like to steal from homosexuals.”  Phew, what a job description for those 20th century queens – expectations must have been high…

Buried Memory/Alarming Find in the U of C Archives

Younger folk here at Calgary Outlink have asked me what the environment was like for queers in Calgary when I was their age.  [For the record I am 42.]  I often reply that there was an element of danger being out, going to clubs, and in associating in general.  I remember nervously looking over my shoulder around the Beltline, and knew of people who had been bashed.

However, combing through the archives at the University of Calgary this morning, I found this poster in a 1992 file from the Gay and Lesbian Academics Students and Staff Society (GLASS) that gave me a jolt.

gay bashing

A U of C undergraduate student at the time, I have a distant memory of this event.  On June 17, 1992 this exact poster was found tacked to the door of  GLASS – the invitation to a gay bashing to be held at the same location at an upcoming rally for gay and lesbian rights.

In a press release the next day, Greg Lane, Co-chair for GLASS wrote, “Lesbians, gays and bisexuals live in a continual climate of potential violence.  I am deeply concerned about these tools of oppression.”  He noted that it was not the first time that GLASS had been targeted on campus.

In a move of solidarity, student politicians from the Students’ Unions of U of C, SAIT and Mount Royal College, all swiftly and publicly condemned the action of the unknown poster author, who to my knowledge was never caught, despite police involvement.

[Special thanks to Karen Buckley at the U of C Archives for research assistance.]

A Trans Pioneer Making Excellent Theatre at the High Performance Rodeo

Belgian artist Vanessa Van Durme is in Calgary this week performing in her autobiographical play, Look Mummy, I’m Dancing, at the High Performance Rodeo.

One Yellow Rabbit presents: Look Mummy, I’m Dancing

The play is a heartfelt monologue that leaves the viewer with a lingering insight into her life as a transsexual woman; leaving an artistic impression of both the pain and triumph it caused her.  Born male in 1948, Van Durme struggled with her gender identity, coming into conflict with her parents and society at large.  As a young adult, she turned to prostitution in order to survive in an ignorant and marginalizing society.

However in 1975, her life took a turn when she travelled to Morocco to undergo a sex change operation.  The operation was conducted at the Clinique Du Parc, in Casablanca, which for decades was a spot of international pilgrimage for those suffering from “gender disphoria syndrome.”

Clinque du Parc was founded by Dr. Georges Burou, an innovator and pioneer of modern male-to-female sex reassignment surgery.  He invented the technique in 1956, and by the time Van Durme had her surgery the clinic had performed more than 3000 operations.

British born April Ashley (née George Jamieson) underwent the gender reassignment surgery at Clinique Du Parc in 1960 and found herself later in high-profile divorce proceedings with her aristocratic husband. The case hinged on a court deciding her gender and caused ripples through the Commonwealth.  Her husband was successful in nullifying their marriage by establishing that she was not legally a woman (whose precedent in England did not get overturned until 2004’s Gender Recognition Act).

Clinique Du Parc had Canadian patients as well.  In the early 1970’s, Canadian Provinces struggled to amend their vital statistics laws to allow transsexuals to change gender on their birth certificates – controversial in its day.  Alberta amended their Vital Statistics Act in 1973 to allow post-operative trans-sexual persons to be able to change their birth certificates.

I will be interviewing Van Durme about her artistic practice this evening at 6:30 PM in the Laycraft Lounge, EPCOR CENTRE for the Performing Arts, 225 8th Ave SE (2nd floor).  Please come out to this free event.