Author Archives: Kevin Allen

Queer History Round Up for Pride Week

Calgary Pride’s 2025 season starts this Friday with a flag-raising ceremony at City Hall and concludes with the Parade and Festival on Sunday, August 31st. Here are the queer history events we are involved with or are looking out for {click the links for more information and to register}.

August 21, 7 PM — Hot Dogs and Hot Takes on History at the Confluence: Colonial Calgary Was So Gay! (sold out).

August 25, 6 PM — Beltline Gay History Walk sponsored by Calgary Outlink. Register online: spaces limited. Free, but donations to support Outlink are welcome.

August 27, 7 PM — We Say Gay: Queer Kid Lit and Censorship in the Sunshine State.

Topical lecture for Alberta in 2025!

The Calgary Institute for the Humanities presents Dr. Kenneth Kidd for the 7th Annual LGBTQ2S+ Lecture, in partnership with UCalgary Alumni and Calgary Central Library. In person AND online: register here.

August 28, 5 PM — Downtown Gay History Walk sponsored by Calgary Public Library. Register online: spaces limited. Free event!

August 30, 6 PM — Fake Moustache’s 20th Anniversary Party and Zine Launch!

This summer, Fake Mustache turns 20 years old, and they are celebrating with a once-in-a-lifetime show. More than 32 cast members will take the stage to bring to life dozens of true stories from two decades of gender-bending, boundary-breaking performance art. It’s a night of defiance, community, and unapologetic queer joy. Tickets: here.

The evening also marks the launch of Fake Mustache: A Graphic Community Memoir. This limited-run comic book captures our outrageous, heartfelt, and defiant legacy. Pre-sales run August 16–26 (pickup at the show), with only small-batch printing available.

Copies limited!

“This is more than an anniversary — it’s a living archive of Calgary’s queer history, and we want you there with us to celebrate. With love and glitter,” — James Dean

Fake Mustache’s Kait Hatch also let me know about this queer community calendar for Calgarians, which they are involved in—so many events!

Finally, don’t forget the Arquives National Survey closes at the end of August. Your feedback matters!

This survey will take about 10 minutes to complete, and you have a chance to WIN one of FIVE ArQuives tote bag prize packs (merchandise valued at $150)!

Happy Pride Calgary!

{KA}

Colonial Calgary Was So Gay!

The Calgary Gay History Project’s Kevin Allen is popping up at The Confluence on Thursday, August 21, in their Hot Dogs & Hot Takes on History series.

{Next week, we will profile history programming at Calgary Pride Week 2025—shout out to The Scene Magazine’s recent YYC queer history article: WHERE’S THE GAYBOURHOOD? by Alicia L’Archevêque.}

Hot Dogs & Hot Takes on History

The Confluence writes: “Did queerness exist on the Prairies before Pride flags lined downtown streets? Absolutely. But colonial records rarely captured it. When they did, it was usually through a distorted lens of shame, scandal, or silence. Yet behind the Victorian façades of early Calgary, members of the 2SLGBTQ+ community were integral to the rapidly growing community, even as they faced significant disdain and persecution from the dominant (non-Indigenous) culture. 

This August at Hot Dogs & Hot Takes on History, join local author and historian Kevin Allen from the Calgary Gay History Project for an eye-opening look at Calgary’s colonial era through a 2SLGBTQ+ lens. Kevin will take you through the intriguing story of Jean L’Heureux, a 19th-century Catholic linguist who was adopted into a Blackfoot community that accepted his queerness that faced rejection from settler society. Kevin will also discuss the coded language of queerness in the absence of words to name it, and how queer immigrants, outcasts, and ranchers helped form an underground network in the West.

Queerness isn’t new, and neither is the attempt to erase it. This conversation will uncover how queer identities, though policed and hidden, have always been present, and how reclaiming these stories builds bridges between marginalized communities today. Come for the hot dogs, stay for the radical rethinking of Calgary’s past.”

Get your tickets here, and buy a hot dog with sea salt chips for $5 at the event {yum!}

About the Guests

Kevin Allen (Panelist)

Kevin Allen is a fourth-generation Calgarian who has been documenting and profiling queer people and events for over 30 years. Kevin started the Calgary Gay History Project in 2012 to uncover and preserve stories from Calgary’s 2SLGBTQ+ past (www.calgarygayhistory.ca). The Project has achieved national recognition, leading to the award-winning documentary film “Gross Indecency: The Everett Klippert Story” and the best-selling book “Our Past Matters: Stories of Gay Calgary.” Additionally, Kevin works as a senior election administrator for both Elections Canada and Elections Alberta.

Jennifer Thompson (Moderator)

With a passion for supporting social justice causes, equity-seeking communities and Calgary’s arts scene, Jennifer Thompson is transforming The Confluence into an arts and culture hub that makes space for diverse voices and perspectives.

Thompson has worked across the public, not-for-profit sector in both the United States and Canada. She has led complex corporate initiatives in multiple roles with The City of Calgary, most notably as head of the Arts and Culture Division.

Thompson currently sits on the board of directors for Music Mile. She has previously served as a board member for Student Legal Assistance and Sled Island, and she was a long-standing volunteer for the Calgary Folk Music Festival. She has a Bachelor of Science from Wilmington University, a Master of Business from the University of Calgary and a professional designation in Governance and Public Policy from the University of Victoria.

{KA}

The Parkside Continental Logo

This summer, the historic leaded glass piece, which was the iconic logo of the Parkside Continental, was restored to the address of that legendary Calgary gay bar at 1302 4 St. SW (now Shelf Life Books).

The piece was reclaimed and preserved by John Holt, a former co-owner of The Green Room, a secondary space that opened above the Parkside in the early ’80s. {He is also handy enough that he personally installed it at Shelf Life!}

John Holt with the restored Parkside Continental glass panel at Shelf Life Books.

The building at 1302 4 St. SW was built in 1972 by developer Oscar Fech, who also opened a restaurant there in the spring of 1973, the Continental Steak House. Later that same year, Oscar sold the restaurant to Vance Campbell, who rebranded the spot the Parkside Continental Steak House and made it gay in the evenings (to Oscar’s chagrin).

Advertisement in the Calgary Herald, June 27, 1974.

As the business developed (and got gayer), Vance and Parkside manager Rudy Labuhn were looking for an image for the corporate brand. They stumbled across an image in an art deco magazine and repurposed it for the Parkside. Vance remembers: “I used the logo on our vehicles, our other venues, on the staff uniforms of the Parkside Tropicana and Myrt’s Cafe in Vancouver, and at Myrt’s Cafe in Calgary. I recall asking my Calgary lawyer years ago to trademark the logo as ‘an art deco illustration of a man and woman dancing within a circle’ used for the expanding Parkside empire, which included Myrt’s.”

The leaded glass piece was commissioned when Vance and company renovated the Parkside and opened The Green Room on the second floor. It was installed at the top of the stairs adjacent to the entrance of The Green Room.

John Holt writes that the Parkside Continental was a raucous place. “The discotheque [was] busier past midnight, after patrons would finish with their “straight” lives. Thick blue air from cigarette smoke, thumping disco music, wild hair, skin-tight jeans, handkerchiefs signallying desires, spinning and spiralling on the dance floor. THE place to party.”

In contrast, John recalls: “The Green Room was a luxurious lounge with a white mahogany piano bar, a glorious fireplace, and bulletproof green sofas. It defined glamourous! There were drag performances every night of the week.”

When asked why John paid for the restoration of the glass panel and its installation at Shelf Life, he explains: “Many memories were created in the walls of this building; some clear, some faded, some lost. It has played a vital role in our community. I celebrate bringing this piece of the past to the present. It belongs to all of us.”

{KA}